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The Walking Dead

A little zombie that wanders in slippers and robe and picks up a teddy bear, to be finally and cons soul shot by a deputy sheriff to find her son and his wife. A sheriff who, once recovered from his coma and armed to the teeth, will retrace their steps to shorten the sufferings of a woman condemned to crawl trunk in a park. A deserted hospital, the morgue we shall open under any circumstances, another open pit and loss of views witnessed a bitter war and lost. A man who, every night on the floor of his house, visited by his deceased wife and the day in his telescopic rifle, can not bring himself to shoot him. For the look of that lost wife is still trying to reach. A highway witnessed a desperate escape attempt that failed. Atlanta perspective, devastated and promised an army of hungry dead.

Everything you hoped to see a day in a zombie movie that had not yet been shown, often because a smaller space-time (eight quasi-closed Romero) or lack of high speed (the filmmakers geeks), may soon appear on your screen through a series. Indeed, the series most promising and most ambitious, so the more exciting since ... Battlestar Galactica. Judging by the wonderful driver The Walking Dead , it seems certain that the series has not emerged to rub out the zombies, but rather to deal with "dead" and their survivors with exemplary respect and a great humanist. By taking his time. Valuable time to focus on characters, the ruins of civilization, and of course with the Apocalypse.

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Innocence or the lure



Perfection is possible only for those who have no conscience, or those with an infinite consciousness. In other words, for dolls and gods. In fact, there is a world of existence comparable to dolls and deities. (Animals?) Larks Shelley are plunged into a deep instinctive joy. A joy that we humans because of our timidity will never know.

At what point a mirror assigns and falsifies the vision of men, their perception of the cosmos? At what point reflects back hurts our relationship with the universe, we banned Joy, limits us, we forced nostalgia, melancholy or vanity? The man has nothing to gain from a careful review, we meet in Innocence Mamoru Oshii , the sequel to Ghost in the Shell . Also, having eyes bigger than the brain, to take his dreams of glory for reality, man is lost. And does that not enough positive energy to the universe. Motoko Kusanagi, Eve's future has understand by joining the Net forever. Thus leaving a need for reflection in order to exist and flourish. While the company Locus Solus sprawling tomorrow is the big smoke and mirrors of the future of man. A glorious and wonderful appearance through its imposing city and its flamboyant carnivals, hiding a dark secret in her dolls meant never saying no. A secret revealed at the outset (as long as you have warned the eye or sharpened) when the sublime generic segment tracing the conception and birth of one of these sexaroïdes. A glint in his eye blue reveals indeed a poignant ghost. A ghost prisoner of an envelope unwanted and destined for a degrading corruption, say no. Innocence, also a fantastic smoke and mirrors, says no and that a cry But I do not want to become a doll . Oshii films are also a cathartic To-o kami emi tame, ie the flight of an angel (I'm ) through the fall of a dislocated doll. A very emotional and fragile body temporarily borrowed by Major "income" of the circuits of the Net to lend a hand to his former teammate, the cyborg Batou. The second part of GITS on top of SF and vertigo essentially recounts a moving appeal for help and the help of a sensational duet:

Help me, help me ...

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But what have you done to Solange? Survival of the dead

An angelic

name associated with a horrific issue promising a catchy title which has been the dream of a more in video 80s. Indeed, a beautiful film that is as mobile atrocious murders striking students of a posh private school and London. A generic country which by its red filter announces the crimes that follow. A romantic Morricone score, already heard in It was once the Revolution Leone. An Italian professor (Fabio Testi) and one of her charming students drifting aboard a boat on the peaceful banks of the Thames, ready to make love for the beautiful Enrico, ready to flirt just for the lovely Elisabeth . A knife stuck in big size sex with a young woman by a black gloved hand on the bank. One witness, the future conquest of the teacher (the latter having the nose and mind elsewhere), which thus escapes to another entry, and not yet assumed alarming (even probably if desired). Witness said that a murderer will always told to remove it. A bunch of young girls frolicking in a shower blooms collective promised a voyeur. A bathtub for coffin. A grandma impaled in an English garden. A crazed killer. And finally, Solange. These are the reasons and the giallo ingredients that holds the promise of its title Worship mesmerizing and haunting.