

traveler, do you hear the great voice of the Universe? That is
In a wheat field where men are a virtual war, suddenly, a ray of pure light pierces the sky closed and opaque, making this world a cold and sinister heroin from a collective failure alone. His fiery eyes ablaze and his sad existence Thurs His funeral ash wick that burns and blasts the other players owes its nickname of the lady in gray. Her fiery, rebellious soul sees off a high and noble song about a legendary island. Its apple orchard and mists. Where his brothers and sisters to earn the right to "rest". After some thought escaped death and bodily (the spirits also have the need to flee), the primary class to class so-called real. Where it is easy to lose its colors, including gray, and getting lost. It is said that many down here in sepia world where "saw" the lady in gray, are only the virtual representation. In our world, they are lost souls, or extinct or dormant. It is also said that in these alternate worlds, the basset hound or wolf-dogs, doves and seagulls, are mirrors and headlights. Reflecting our loneliness and be given by milestones. Who are many gaps in our amnesia. Amnesia here dictated by the Fata Morgana and the other eight ladies from oblivion. Of losing his basset hound, Ash loses his only guide, his only home, his only buoy. There will be time for her to "die" of leave.
And for the lady in gray, celebrated by c (h) OEUR opera, after chasing ghosts, Shadow found and captured, to remember again the outside world and his country, and probably immortal less body. And share the reality of the Nine Sisters. And find its roots again and quantum multiverse.
AVALON
You just see Profondo rosso ...
We told the closing credits of the master giallo. Which, more than a mere reflection, freezes a look backwards. The truth is often at this condition, says Dario Argento and for whom the quest and its hazards / throes say and are worth more than the revelation. To have
Profondo rosso in to stage a series of crimes to continue to hide in a single, more Argento here prefer the thrill of the search for truth, which, initially in a theater, is reveals a medium, which, later, the hectic stress and resulting Goblins led the hero, a pianist, to explore and search a house long abandoned his horrible secret, that also means that pierce why a nursery rhyme heard before the killer is trying to silence, that still allows him, in two stages, the discovery of a child drawing recounting trauma, one that disappears and reappears at will a fog, that it had finally escaped from the beginning of history. To have taken a mirror and then reflected for a table among many others, the truth appeared to him as the spectator, during the first minutes of footage. Thereby confirm for Argento, it also had been detrimental to the hero, and of course the film, to be free the result that the truth revealed far less important than the investigation and ambulatory dream of his hero. To add to the filmmaker who therefore follows that the fantastic vision of the world is much more important than the cold and dreary reality presumed. Suspiria and Inferno bring in a striking proof.
Many reasons make us love the movies of Mario Bava. We welcome first a fine ambition crowned with success rarely denied by grasping the music and the embrace of the night and time. Thanks to wrong-mouth which (the wind that pretends to wolves) or sham (the fog that makes us believe in the spirit of the dead, and who, apparently escaping from the earth, especially graves and tombs, has possession of the living). With his decorum and his photograph Gothic, color or black and white. Then we admire a fantastic vision, indelible for the spectator: the demon's mask to Three Faces of Fear through Operation fear, Bava has continued to decline actually a fascinating jealousy. Three Greek deities, Eros and Thanatos Himeros, personifications of love, desire and death, forever condemned to s'envier in the world and work of Bava. This confusion gives the film maestro's atmosphere and alluring strange, disturbing and haunting, in a word fantastic. The taste of the filmmaker to film the ruins and houses long since abandoned, promised to embrace the vines and roots or the giant spider webs, vestiges of a bygone era of splendor but also against terror, he joined to see it evolve pretty damsels in babydolls, pulpy to perfection, offered to attack the vampire, ready to give their blood and soul. This obsession, as the mannequins and dolls, statues and gargoyles, tables and mirrors, or yawning coffins, joined ours to see associated dreams of eternity frozen or dropped. To see these dreams sometimes stranded or desecrated, often to see the loves and hatreds continue post-mortem to see finally immemorial legends and curses, or desires and fears back to the dawn of time immortalized.
This house must be worth a tidy sum!
I did not kill him. UNDERSTAND?
The so British Agatha Christie and her world can they get by with the spirit and language of Molière? The venerable novelist can it be broken without recourse to its two pillars, two more than are the sleuths Belgian Hercule Poirot and Miss Marple's English? To these questions, the serial murders Small Agatha Christie answers can not be brighter than the campaign (especially the chnord) or the French coast are a perfect breeding ground for house plots and staging the murders of convoluted the queen of crime fiction. But not only. The series also pays special tribute to the greatest poets. A Hugo, Verlaine, Rimbaud ... By mentioning regularly through the mouth of the Commissioner Larosière poet in almost all circumstances. Or sometimes by staging their poems, the Dungeness Valley to Ophelia. We see, Agatha Christie is not the only reason for this television adventure. Which, in addition to terrible crimes, also said some nice rhymes. That returns looks beautiful girls, beautiful smiles and boys. Which, in addition to beautiful forests and disturbing wild animals, also shows a dark sky threatened sometimes also go with a moon honey. That the crows are also of Edgar Allan Poe, our ponds can also be dedicated to and vested in it to any Ophelia would fail and be based ( The Moving Finger ). That a sudden snow, besides causing a great time hanging can greet a beautiful union ( Am stram gram ). Who tells fugitives or stolen kisses, beautiful reconciliations (the end of Shallow Grave Family ), poignant or humorous attachments (Angelica and Emily, Angelica and the little pig in The Moving Finger ) or a faith immutable (in a broken face, that of Denis Lavant in ABC Murders). Who says that car theft can have any one flight, while sealing a paternity and filiation delayed ( The cat and mouse ). To these questions
therefore Small murders of Agatha Christie says Marius Colucci (the worthy son of his father) in the role of bumbling and endearing Inspector Emile Antoine Dulery Lampion and in that of the dashing Commissioner John Larosière all two formidable, give a welcome earthiness to the arabesques of the redoubtable Agatha, his writers and directors have, despite all the respect and affection we bear Suchet's Poirot in or Ustinov, concocted not only against the best adaptation of Agatha Christie novels, but also wrote one of the most beautiful pages in the history of French television. If this is the most endearing. Alongside his illustrious and very poetic-literary Rocambole . Why "small"?
Hein my Pépette. Kiss Mommy.
Freedom from father to embrace the speed of light. Says Blade Runner Batty through which, after a tantrum that led it to kill Tyrell (withdrawing her first vision), offered a lift in an interstellar trip. Indeed to see the stars scroll above his head, it was said that the Nexus six are actually planned in a vessel hyper-space. Found his poetry in a subliminal flashback. Before falling back to earth and display a pout. Androids do not just dream of electric sheep.
I want more life, father.