had with Inferno offered to the 7th art at once a nightmare and an opera, Argento offered the viewer a great show and a trip to hallucinogen does not believe his ears or his eyes or his heart or his brain. Usually broken unless magnitudes and fewer colors, less seizures and less contradictory, less shock and less panic. To have wanted celebrate its bloody projections by associating this time the chorus of Verdi's Nabucco (and vice versa), have arranged a meeting between the full moon and "Va, pensiero" said composer, having been true to his obsessions combining the experience of fear as to sensual damsels Irene Miracle, Eleonora Giorgi and Daria Nicolodi, take pleasure in the dive and make them evolve into lost worlds labyrinthine or subtract from the (very temporarily), the breast that throbs and edge, giving the wind and rain to embody the power of the outbreak ground forces (which here at every moment of the deaf was weaving plots against the living world), the maestro created a sensational chemistry between the exaltation of the beauty and outright terror. To have thus elevated the look and sound while energizing the epidermis, Argento endorsed the poetry of Baudelaire, who wants the flower is sometimes the bride from evil, that the rose is also made of his spine, that the tomb the best is also the worm that gnaws his tenant.
0 comments:
Post a Comment