You just see Profondo rosso ...
We told the closing credits of the master giallo. Which, more than a mere reflection, freezes a look backwards. The truth is often at this condition, says Dario Argento and for whom the quest and its hazards / throes say and are worth more than the revelation. To have
Profondo rosso in to stage a series of crimes to continue to hide in a single, more Argento here prefer the thrill of the search for truth, which, initially in a theater, is reveals a medium, which, later, the hectic stress and resulting Goblins led the hero, a pianist, to explore and search a house long abandoned his horrible secret, that also means that pierce why a nursery rhyme heard before the killer is trying to silence, that still allows him, in two stages, the discovery of a child drawing recounting trauma, one that disappears and reappears at will a fog, that it had finally escaped from the beginning of history. To have taken a mirror and then reflected for a table among many others, the truth appeared to him as the spectator, during the first minutes of footage. Thereby confirm for Argento, it also had been detrimental to the hero, and of course the film, to be free the result that the truth revealed far less important than the investigation and ambulatory dream of his hero. To add to the filmmaker who therefore follows that the fantastic vision of the world is much more important than the cold and dreary reality presumed. Suspiria and Inferno bring in a striking proof.
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